It is the official release day! I’m honored and grateful that my friend, Candice Louisa Daquin, “gently” nudged me to do this. Additionally, I am indebted to Candice for believing in me and for her diligent work in editing. Thank you, Candice. You are one of the most giving people I know. I want to thank Tara Caribou of Raw Earth Ink who has been patient with this novice at every step in the publishing process.
I also owe a debt of gratitude to Susi Bocks, Ivor Steven, and M. Brazfield who were willing to provide advance reviews on short notice. Thank you so much.
This is an older poem that I’ve dusted off and changed around a little. The end is entirely new but in keeping with the hike in Colorado that inspired it. I was so struck by seeing the one tree leaning upon the other I did not think to whip out my phone to take a picture of the sight. In that moment of observation of the trees, it seemed a violation to do so.
In the woods
two trees stand,
equally rooted,
firmly in the ground.
Yet, as if deciding
it a curse of solitude
to try and touch a Sky
who never reached back,
one turned
to touch the other,
leaning its trunk
against its forest mate’s.
And so, I found them,
standing as lovers,
one resting upon the other,
limbs entwined in embrace.
I lowered my head
out of respect mingled
with a bit of embarrassment
at glimpsing their
beautiful intimacy.
I turned,
walked down the trail,
crunching dried leaves
beneath the fall of my heavy boots
as I continued on among the trees
in silence and solitude.
As a child,
I survived the explosion of dreams
that left hot greasy remnants
dripping down the four-inch squares
of avocado green ceramic tiles,
marring their mirror like shine.
As a grown woman,
I survived the eruption of dreams
that poured down an encasement of hot ash
over all of life’s plans in the moment of diagnosis,
leaving monumental statues of grief.
Thus, I chose to live
where silence drones,
a rumble in the ears.
Nothing left--
a hole, a void
made by echoes
of desires held long ago.
So, I have taken a corn broom
to dance with me
in time to music
only I can hear
to sweep away the dust, the cobwebs,
the fuss of other’s opinions and ideas
of me, my doings, my words.
Yes, from my words,
I shake loose all the years of dust,
the years of ash, the years of grease.
All words, oh, so many words
I never loosed upon the air
to float free upon the winds,
tumbling away, up, around,
then returning once more
to spring up as wildflowers
when things turn to green.
I begin to loose them now,
freed to scatter where they will,
root, spring up where they
find a place to rest.
It is the time
of grey skies
and dead brown grass
along the roadsides.
The time when the trees
are seen shivering,
their limbs quivering in their nakedness.
When even many of the evergreens drip down
brown, bloodied from the lethal knife wounds
of a sharpened frenzied freeze
as they sag into their deaths.
Yes, it is that time of year
when I yearn
for the green of spring,
for limbs to wrap myself within,
for a renewal of promises
I once longed to make.
The time of year
when I empty forty years
of myself.
clay slapped on the wheel
shaped from spinning motion with
the control of hands
form, substance given
before the heat of the kiln
then give years of care
secured from breaking
ends in sharp edged shards broken:
mosaic in form
Taken when she was still trying to work while going through treatment for ovarian cancer.
In the early morning hours of January 3rd, 2015 my wife, Karen passed away from ovarian cancer. On this day, the eighth anniversary of her passing, I decided to repost this poem. While no relationship may be perfect, I’ve come to realize perfection is found in the things people share. Karen and I shared our love of dogs, so of course, in a dream, I met her as I walked the dogs, and one day I’ll meet her again, but when that happens, she’ll be the one walking all the dogs.
I thought to find you on the path
between the heather patches.
You were not there.
I thought to find you along the roads
from here to other places I traveled,
but there were no traces.
I thought to find you along the routes
where I walked the dogs.
Of course, there you were,
ready to laugh and say they loved you best--
as you always did.
Taking treats from your pocket,
you fed and petted them.
Looking up at me, you said I had more
grey than last you saw, but it didn’t look bad.
Your idea of a compliment, I know.
I killed the weeds of anger over things like that.
Now I must learn to trim back the hedges of grief.
Get electric hedge trimmers, you laughingly said.
Then whispered I should learn from the dogs
and you’d meet me along the path
between the heather one day.
And that was all.
You were gone.
As if you erupted
from an eternal spring,
an immortal thing,
I gave you away
when last I prayed
here at Chimayo.
When kneeling
I scooped the healing dirt
as I spoke silent prayers of thanks
for my heart bravely facing
shocks of resuscitation
after years spent
barely beating
in stuttering grief.
Upon return today,
I kneel to scoop
the healing dirt,
asking in silent prayer
a blessing of forgiveness
for giving you away
too easily—
thus, killing you,
bleeding you of all hope,
beyond resurrection,
beyond resuscitation.
In the dirt of Chimayo,
this healing earth,
from this place of faith,
sifted through my hands,
I bury you, a mortal thing,
I gave away too easily
to an undeserving faith,
in this dirt of Chimayo.
Your lies hang,
apricots swaying
in the summer air
from the tree
of your despair.
You pick the ripest apricots
to make jam
you ladle into small jars,
gifting them to friends
who smile softly,
touched you think of them
by gifting your small jars of jam
made from the apricots
you pick from the tree
of all your despair
denied.
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Hearing The Mermaids Sing 