“The pen is mightier than the sword,” Bulwer-Lytton wrote long ago.
Words, with strength enough to repel the bullets violently vomited by rapid fire weapons of wars not being fought on this soil, in this land, in these schools, abandon me.
My words have no power. I cannot weave a bulletproof shield of words to protect my grandchildren from this earth they will inherit: where four-year-old preschoolers practice active shooter drills, beginning their journey of learning of how to live without innocence: We created a skin of fear into which they are born, and now, we teach them to live inside that skin of fear with lockdown drills, metal detectors, and lessons in barricading classroom doors, as we wait for the hollowness of thoughts and prayers and good guys with guns to save us all.
With what voices, with what words will we speak in answer-- when our ghost children rise to ask us why we did not save them.
I have always had rose bushes.
My mother’s rosebushes
so overgrown, hedges really,
filled with beautiful red blooms
and thick inch long thorns,
waiting for a chance to shred
away skin.
Then my own
before I was twenty-two.
White ones.
Planted on either side
of the front door
of a house in Baltimore.
I let a piece of me die
in that house
yet the roses thrived.
Then, in Texas.
Yes, roses there too.
Puny things. No lush leaves.
No huge blooms.
Black spot, fungus, rot
always a battle.
Vine like branches,
filled with thousands
of razor slicing thorns,
thirsting for my blood
when I came near
to fertilize or water
or with pruning shears.
But today,
in the high mountain desert,
I took a chainsaw to the rose bushes.
Buzzed them down
to nothing but nubs.
Roses do not belong here
in this dry terrain.
Thorns and a waste of water,
the price to pay
for no real return.
I placed their thick,
disconnected thorn filled limbs
into doubled up lawn bags,
and their thorny weapons,
still thirsting for a taste of blood,
stabbed at me as I carried the bag
of bundled limbs to the trash bin.
Some, of the toxic smiling kind,
might say, “Look to the blossoms
Not the thorns.”
Easy to say
if you’ve never seen,
never felt the shredding thorns can do.
Thus, I remove the shredding beauty
here in the mountain desert,
choosing beauty of a better kind.
clay slapped on the wheel
shaped from spinning motion with
the control of hands
form, substance given
before the heat of the kiln
then give years of care
secured from breaking
ends in sharp edged shards broken:
mosaic in form
As if you erupted from an eternal spring, an immortal thing, I gave you away when last I prayed here at Chimayo. When kneeling I scooped the healing dirt as I spoke silent prayers of thanks for my heart bravely facing shocks of resuscitation after years spent barely beating in stuttering grief.
Upon return today, I kneel to scoop the healing dirt, asking in silent prayer a blessing of forgiveness for giving you away too easily— thus, killing you, bleeding you of all hope, beyond resurrection, beyond resuscitation.
In the dirt of Chimayo, this healing earth, from this place of faith, sifted through my hands, I bury you, a mortal thing, I gave away too easily to an undeserving faith, in this dirt of Chimayo.
Your lies hang,
apricots swaying
in the summer air
from the tree
of your despair.
You pick the ripest apricots
to make jam
you ladle into small jars,
gifting them to friends
who smile softly,
touched you think of them
by gifting your small jars of jam
made from the apricots
you pick from the tree
of all your despair
denied.
It is the official release day! I’m honored and grateful that my friend, Candice Louisa Daquin, “gently” nudged me to do this. Additionally, I am indebted to Candice for believing in me and for her diligent work in editing. Thank you, Candice. You are one of the most giving people I know. I want to thank Tara Caribou of Raw Earth Ink who has been patient with this novice at every step in the publishing process.
I also owe a debt of gratitude to Susi Bocks, Ivor Steven, and M. Brazfield who were willing to provide advance reviews on short notice. Thank you so much.
Before
morning,
she wakes,
adrift
still
in half-remembered dreams,
dirtied by ghost footprints
upon the waking
to muddy tread marks ever present,
no matter the hours spent in scrubbing—
the marks indelible—
tattoos of mud.
Leave her to the simple tasks of morning,
to her daily reckoning,
preparations of covers and cases required,
all the hiding away,
layering as if for winter,
this bandaging of tender spots.
I tire of seeing memes about having a positive attitude and choosing one’s feelings plastered social media. It is no surprise our young people are in the midst of a mental health crisis when constantly bombarded with messages telling them, in essence, “The only reason you are sad is because you are making the choice to be sad,” or, (one of my favorites for sabotaging anyone’s self esteem) “You have a choice to make your day wonderful or not.” While such simplistic messages are well meaning, I believe they are sometimes extremely toxic. After all, what if your parent died on that day? Did you make the choice to have a horrible day? What if you go home to a toxic abusive environment? How can you choose to make your day wonderful? So before reposting those wonderful positive messages on social media, let’s all take a step back and think about what we are really saying to someone who may be going through something or in an environment where there is no choice in the matter but to feel what he or she feels. Let’s send messages that say it’s okay to feel what you feel and acknowledge it and to take time to feel it all,so something can be gained from it—a lesson, a positive action taken, whatever it may be, so we know our suffering was not for naught. Hence, this piece.
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