As if you erupted
from an eternal spring,
an immortal thing,
I gave you away
when last I prayed
here at Chimayo.
When kneeling
I scooped the healing dirt
as I spoke silent prayers of thanks
for my heart bravely facing
shocks of resuscitation
after years spent
barely beating
in stuttering grief.
Upon return today,
I kneel to scoop
the healing dirt,
asking in silent prayer
a blessing of forgiveness
for giving you away
too easily—
thus, killing you,
bleeding you of all hope,
beyond resurrection,
beyond resuscitation.
In the dirt of Chimayo,
this healing earth,
from this place of faith,
sifted through my hands,
I bury you, a mortal thing,
I gave away too easily
to an undeserving faith,
in this dirt of Chimayo.
Each new year brings
Now this garden grief
Nourished by regret
Each year, this day, here—
Standing, kneeling, sitting—I
Spend tears, words, wishes
All meaningless now,
In the barren garden grief
Flowers never bloom
Seven years gone now--
Nothing roots, though it has tried,
In the garden grief inside
Consequences of time
Climb and mount
About the throat,
Following the path
Of arteries and veins,
And as if by magic,
Enter into the blood
To provide a dram bit
Of bitter choking poison
To the will of moving blood
That slows and stills
In the knowing.
Marshal forces
Of the earth, moon, orbits of planets,
Laws of time,
All we hold mighty and true,
Stop everything in its tracks,
Turn it all back
Before the start of any of it,
Falling away,
Marshaled from memory.
I first wrote this a few years ago after reading Elizabeth Bishop’s work once again. Well, after revisiting Mary Oliver and gaining familiarity with Pablo Neruda this summer, I once again returned to Bishop’s work and then had to re-watch Reaching for the Moon. So I decided to dig this one out and tweak it and revise.
In this thing called losing,
Bishop said we become masters
And that losing isn’t a disaster.
No, not a disaster.
Losing socks and such stuff.
I’ve lost earrings, bracelets,
Expensive ones too, didn’t care
Beyond maybe a minute or two,
And never was it a disaster.
And no pain beyond a stab of nostalgia
Did I have upon saying goodbye
To three houses and two cities,
And never did I feel it a disaster.
And yes, it was no disaster
To bury my mother,
A father who really wasn’t,
The man who really was,
First one brother, then the other,
Then lastly, a wife.
With each, my body and soul
Savaged by a catastrophic hurricane, yes.
But no, no disaster.
No disaster is it, I’ll admit,
For a tiny bit of soul to erode
As I buried each.
But nothing, nothing did I ever master.
Except, maybe this—
I did not look for them-
Looking to forget them
Since they were gone,
Emptied of this earth.
No, I did not look to forget
While driving home
In darkness under a full moon
Lighted with regret
Of a new unfamiliar scent.
Yet the swirling of this sad scent
Is no, no real disaster.
No real disaster is it—
That I look to forget
A lost return now.
A return to life
Captured, fleeting, lost--
Filled with a scent
Of hope or a fool’s thought—
Matters not but now lost.
And in this thing
Called losing,
In which I am well-schooled,
As are we all,
I have tried to make an art,
To make an art of all this loss.
Yes, this may be no real disaster,
But Bishop lied.
There is no art in losing,
No art at all,
That I can find to master.
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