I hold a handful of pomegranate seeds— I think of you all I know and do not know--
A bushel of grapefruits arrive at the front door. The next day, a bushel of oranges followed by a bushel of pomegranates, like tribute foretelling the arrival of some dignitary or prince. Every summer, the bushels foreshadowed your visits-- The grapefruits and oranges for my mother, who loved all citrus, a luxury she didn’t have growing up in West Virginia. The pomegranates for me-- You knew I loved them. Why did the bushels and the visits stop after the summer I turned six?
These seeds I hold, ready to throw into today’s salad, are too few—
I remember you— showing me how to open a pomegranate; teaching me to count in Greek; moving a stepstool to the counter so I could climb and see how to make Greek yogurt from scratch, when you saw my nose wrinkle at the smell, telling me, “You will like it because you Greek,” your accent as thick and heavy as the clabbered milk in the yogurt glasses.
The last summer you came to visit— A train ride to Florida to stay the whole summer with you and Aunt Mae. I wanted the top bunk in the train car. You tucked me into the lower one saying, “You fall here. No hurt. You fall from up there, you hurt,” before hefting yourself into the top bunk. You said you’d teach me to swim. “Everybody in Greece swim. I teach you. You learn easy because—” you paused, waiting-- for my six-year-old excitement to finish, “I’m Greek!” You tousled my hair then loaded our things in the car.
Everything to be tried, to be learned, to be shown required our liturgical call and response: you would start, “You will like because—" and I would finish, “I’m Greek.”
Teaching me to swim didn’t work out too well— You told me to move my arms and legs fast, then threw me into the ocean. Each time I flailed and sank. Each time you pulled me up, “You okay. You learn.” The third or fourth throw, You pulled me up And said, “Enough today. But you learn because—” And despite my fearful sobbing, I finished, “I’m Greek,” as I wrapped my arms around your neck. We did not have time. I never learned.
Sirens, red lights, dark outside, Aunt Mae crying. The hospital cold, noisy. Mae on the phone. Mommy coming on the train.
You lived. Came home. Peeled me a pomegranate.
Mom and I left on the train. The last time I saw you, Uncle Pete, though you did not die until three months after my high school graduation, an obituary found on the internet tells me so. But the bushels, the visits, the phone calls stopped the summer I turned six. I never knew why. I will never know now.
Fifty-nine years after that summer with you, I stand holding a handful of pomegranate seeds, shining their ruby glow. Decades since last I split open a pomegranate. Too easy to buy in plastic tubs now. I need to finish this salad.
But I am stilled in the moment— The truth I now know— sleuthing through scraps of internet information after a DNA test-- What neither of us may have known that one summer, We were/ are father and daughter.
The words, the words-- They rattle in my head, louder than the tail of a snake, louder than the breaking of stacked billiard balls, louder than the concussing jack hammer on a city street-- too much noise to hear distinctly what must be written, what must be said, screamed into the foul fiery smoke-filled air
One word, one. Just one, larger than the others, louder— settles against my skin, a lash of fiery noise, burning, burning deep-- betrayal-- burning away tiny scars of other betrayals a lifetime ago
This wildfire of betrayal burns away soul held beliefs of common good.
The captain of industry gleefully looks to history As a populous forgets all the tales of prophecy While writhing in the seduction of blame and lies.
Thus, all the best in humanity is left behind. Firing squads, internment camps, and torture now promised. Yes, the captain says to let the horsemen ride.
The angry populous forgets The path of anger makes the “world blind.” Yes, the captain says to let the horsemen ride.
The sun dons a robe of sackcloth, grieving. The ocean’s rasping last breath, As the moon’s face rained blood tears, Turning rivers red.
Yes, the captain bellowed, “Let the horsemen ride.”
The swallowtail paid a visit this morning, a flutter of striped wings, tipped itself in hello as we sipped coffee and looked up from our morning paper.
We smiled at the swallowtail then each other. You swear it is the transformed caterpillar we rescued from certain death as it hung from the dog’s lip and then tenderly placed in safety on the gourd vine leaves growing by the wood pile.
I do not know. It could very well be. It is beautiful in its flight. Its morning joyful greeting of belonging, of having found its place.
Sitting here in New Mexico and looking at these mountains, I wonder if my mother ever heard the mountains of Appalachia sing as I do these.
The mountains sing their history-- of when they knew only tranquility in the land of their ancient salt seas, when the sun could not touch them, when they were virgin still-- safe from the rough hands of the wind, long before the rise of humanity.
Their song holds the rhythms, the bars, the layers of the time before-- before an angry molten core, containing not a single drop of mercy, drove them from their ancient, peaceful home, forcing them to be refugees in the kingdom of sun and wind.
Their song holds the rhythms of all they grieve in witnessing humanity’s rise, dripping in eternal inhumanity.
At the feet of the mountains, the lilacs, nourished by snow melt tears, bow their heads and dance in the rhythms of the mountains’ song— A dance of homage to such ancient ones.
Forgive me, I ramble, telling you of life at sea level--
where a steady pour of hours stream, and minutes bead against the windowpanes as the seconds mist into fog-- decades of earth and rock liquify-- A mottled mix of flowing colors and viscosities defiant and devoid of any beauty to ease a slippery sharp-edged flow carving out an emptiness within this near ghost of a soul waiting in unacknowledged darkness, while asking for a way to the light—
before waking in the softness of morning at altitude.
The mountains draw their shawls of clouds
‘bout their shoulders to ward off the damp chill,
humming as if about to settle down
into rocking chairs before a fire
and knitting away this afternoon of winter
as they chat about the doings
of their children, grandchildren,
and their neighbors to the west.
Perhaps, this is why--
the birds flit and chirp
singing songs of spring
as they nibble at the suet cakes
you’ve left for them.
To participate in the Ragtag Daily Prompt, create a Pingback to your post, or copy and paste the link to your post into the comments. And while you’re there, why not check out some of the other posts too!
Showcasing the best of short films and screenplays from the LGBTQ+ community. Screenplay Winner every single month performed by professional actors. Film Festival occurs 21 times a year!
Hearing The Mermaids Sing 