I hold a handful of pomegranate seeds— I think of you all I know and do not know--
A bushel of grapefruits arrive at the front door. The next day, a bushel of oranges followed by a bushel of pomegranates, like tribute foretelling the arrival of some dignitary or prince. Every summer, the bushels foreshadowed your visits-- The grapefruits and oranges for my mother, who loved all citrus, a luxury she didn’t have growing up in West Virginia. The pomegranates for me-- You knew I loved them. Why did the bushels and the visits stop after the summer I turned six?
These seeds I hold, ready to throw into today’s salad, are too few—
I remember you— showing me how to open a pomegranate; teaching me to count in Greek; moving a stepstool to the counter so I could climb and see how to make Greek yogurt from scratch, when you saw my nose wrinkle at the smell, telling me, “You will like it because you Greek,” your accent as thick and heavy as the clabbered milk in the yogurt glasses.
The last summer you came to visit— A train ride to Florida to stay the whole summer with you and Aunt Mae. I wanted the top bunk in the train car. You tucked me into the lower one saying, “You fall here. No hurt. You fall from up there, you hurt,” before hefting yourself into the top bunk. You said you’d teach me to swim. “Everybody in Greece swim. I teach you. You learn easy because—” you paused, waiting-- for my six-year-old excitement to finish, “I’m Greek!” You tousled my hair then loaded our things in the car.
Everything to be tried, to be learned, to be shown required our liturgical call and response: you would start, “You will like because—" and I would finish, “I’m Greek.”
Teaching me to swim didn’t work out too well— You told me to move my arms and legs fast, then threw me into the ocean. Each time I flailed and sank. Each time you pulled me up, “You okay. You learn.” The third or fourth throw, You pulled me up And said, “Enough today. But you learn because—” And despite my fearful sobbing, I finished, “I’m Greek,” as I wrapped my arms around your neck. We did not have time. I never learned.
Sirens, red lights, dark outside, Aunt Mae crying. The hospital cold, noisy. Mae on the phone. Mommy coming on the train.
You lived. Came home. Peeled me a pomegranate.
Mom and I left on the train. The last time I saw you, Uncle Pete, though you did not die until three months after my high school graduation, an obituary found on the internet tells me so. But the bushels, the visits, the phone calls stopped the summer I turned six. I never knew why. I will never know now.
Fifty-nine years after that summer with you, I stand holding a handful of pomegranate seeds, shining their ruby glow. Decades since last I split open a pomegranate. Too easy to buy in plastic tubs now. I need to finish this salad.
But I am stilled in the moment— The truth I now know— sleuthing through scraps of internet information after a DNA test-- What neither of us may have known that one summer, We were/ are father and daughter.
(I originally wrote this several years ago, and it was published in my book, “The Gift of Mercy.” I’m drafting a second part to this piece and decided to reblog this as a starter.)
I entered life, an accidental tourist.
My mother’s body served an eviction notice,
but I ignored it and burrowed deeper
into placental warmth.
My twin, however, weaker,
entered the world a clotted, bloody,
gelatinous mess on the white tile
of a bathroom floor.
The doctor told the man,
who wasn’t really my father
but thought himself to be,
there was still a heartbeat,
still a baby left.
I felt the absence of my twin,
the lack of another’s heart
beating a rhythm to match my own,
racing toward emergence, light, life, breath.
A ghost like memory I carried with me
always— even when I, who survived
by claiming squatter’s right
to my mother’s uterus
as it tried to evict me
and who had never been told
of my twin’s existence, would
turn in childhood play and talk
to my twin sister.
My mother asking to whom I talked
and I answering in innocence—my twin sister.
Now, I recognize my mother’s twisting face
of guilt as she turned from my childhood answer:
the long walk from the restaurant’s apartment
to the stores on Broadway to buy school
supplies; the washing down of the restaurant
walls over and over again; the bed rest the doctor
said she needed when she was spotting, her body
threatening to throw out the babies she carried, ignored—
“Hope” is the thing with feathers -That perches in the soul -And sings the tune without the words -And never stops - at all -And sweetest - in the Gale - is heard -And sore must be the storm -That could abash the little BirdThat kept so many warm -I’ve heard it in the chillest land -And on the strangest Sea -Yet - never - in Extremity,It asked a crumb - of me.
Emily Dickinson
Yep, that’s what Emily said.
I beg to differ.
If it perched in my soul,
The cat ate that damn canary
Before it finished its tune.
And let me tell you,
I never heard anything sweet
During a pissed off hurricane.
That dang bird knew!
Away it flew
While the winds whistled
Away my roof.
I sure as heck didn’t hear
Some sweet little bird chirpin’
As I froze my ass off in the northeast.
And all I heard as I sweated buckets
Under a southern sun was some damn
Squawking big ass crow.
In fact, I think hope isn’t a bird at all.
It might be a well. That might be more apt.
Yep, wells aren’t dug or drilled deep enough,
Sometimes.
And I would imagine
Much more can go wrong with a well,
Like a pump runnin’ dry.
Oh, hell! A well can even be poisoned!
But this here well,
It’s so dang dry
There ain’t even any mud
At the bottom.
Looks like some cobwebs too.
Whatever it had,
It done dried right up.
So whatever hope is--
A bird, a well,
It isn’t always there.
It doesn’t stick around,
Unless you feed it
Before the feathers
Drift,
Before the water
Dries
Away.
From the shaking dirge cries of birth
To the desire for ease in the between,
Before the elemental breath rattles at death,
We are lost in cacophonous sighs of daily life,
Choosing to turn away
From moments appearing as iridescent sun rays
As if God's fingers reached
Between the clouds
To touch the earth.
Yes, we turn away,
Notice nothing,
Pick up kids,
Fix dinner,
Do laundry,
A trip to Wal-Mart,
And to work,
The mundane of every day,
Yes, it must be done,
To hurry toward the waiting,
While living holding sand,
Until expelling
the elemental breath before death.
Black white color dreams
Waking in the in-between
Of the heat and chill
Stillness of a soul’s rest
Within the petals of the blessed
As on a windless sun hot day
A softness of grace finally felt
Set out years ago
Dropped breadcrumbs
Some no bigger than dust particles
Of the soul
Along the roads and paths
Thought I’d find my way back,
There’d be time
There’d be years
Be months
Weeks
Days
Seconds
Left before the sand
Absconded with the hourglass
To find the trail of dust and crumbs
Sweep and pour them
Back into the soul
Add a few ingredients
Create once more
From the beginning
But birds and squirrels
Feasted on the leavings
And I’ve no desire
To return to where I started.
Spun out from the centrifuge
Twisted in helix meaning
Strands entwined, twisted back
Stretching toward history within heritage
Search through the montage of time
Sift through pounds of truth and lies
For a few ounces of purity
Measured out within the mess
The now was the past
Where to walk
We travel back
On twisted helix roads
To the selves we were
So very long ago
And learn
The future braided
In the past
With the now
And made us whole
Trash by the curb
Cardboard boxes nested
One within the other
Standing upright, resting
Against the edge of the smallest,
An old collage Walmart picture frame,
Matting included,
Old photos still within the frame,
A wedding, a first baby then a second,
Graduations and first cars,
Pictures telling a story of a family,
Colors faded by the sun
Having spent years by a window
Rend the earth again
Tear, rip through miles of rock and soil
Till the swollen, rounded,
core lies exposed
Bubbling, glowing,
Sputtering out
Reaching tendrils of itself.
Note the flow,
Time the pulses of heat,
Beating with undulating life seen and unseen.
Then watch the viscous liquid cool,
Solidifying against the pain
Of each cold breath you expel
Stilling the beat of life.
The transformation to cold, hard stone
Within the earth’s crust
As thus,
A mother’s heart,
Torn open once too often,
Stops.
To clean a heart and soul,
the way we clean a house:
scrub away
the grime and grease,
bleach away
the mold and mildew,
polish away
the dusty dullness,
vacuum away
dirt and dust
and leaves and grass
tracked in on muddy
dog paws,
who then shake wet fur
all over the floor,
yes, even vacuum away
all the hair shed upon the floor
by dogs and you,
then mop away
dried dirt,
straightening and organizing
as you go.
Then rest,
enjoying the gleam and shine
before opening the door
to visitors once more.
Yes, if only a soul
Could be cleaned
So very easily.
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Hearing The Mermaids Sing 