Too Few Seeds

Image is my own
I hold
a handful of pomegranate seeds—
I think of you
all I know and do not know--

A bushel of grapefruits
arrive at the front door.
The next day, a bushel of oranges
followed by a bushel of pomegranates,
like tribute foretelling the arrival
of some dignitary or prince.
Every summer, the bushels
foreshadowed your visits--
The grapefruits and oranges
for my mother,
who loved all citrus,
a luxury she didn’t have
growing up in West Virginia.
The pomegranates for me--
You knew I loved them.
Why did the bushels and the visits stop
after the summer I turned six?

These seeds I hold,
ready to throw into today’s salad,
are too few—

I remember you—
showing me how to open a pomegranate;
teaching me to count in Greek;
moving a stepstool to the counter
so I could climb and see
how to make Greek yogurt from scratch,
when you saw my nose wrinkle at the smell,
telling me, “You will like it because you Greek,”
your accent as thick and heavy as the clabbered milk
in the yogurt glasses.

The last summer you came to visit—
A train ride to Florida
to stay the whole summer
with you and Aunt Mae.
I wanted the top bunk in the train car.
You tucked me into the lower one saying,
“You fall here. No hurt. You fall from up there, you hurt,”
before hefting yourself into the top bunk.
You said you’d teach me to swim.
“Everybody in Greece swim. I teach you. You learn easy
because—” you paused, waiting--
for my six-year-old excitement to finish, “I’m Greek!”
You tousled my hair then loaded our things in the car.

Everything to be tried, to be learned, to be shown
required our liturgical call and response:
you would start, “You will like because—"
and I would finish, “I’m Greek.”

Teaching me to swim didn’t work out too well—
You told me to move my arms and legs fast,
then threw me into the ocean.
Each time I flailed and sank.
Each time you pulled me up,
“You okay. You learn.”
The third or fourth throw,
You pulled me up
And said, “Enough today.
But you learn because—”
And despite my fearful sobbing,
I finished, “I’m Greek,”
as I wrapped my arms around your neck.
We did not have time.
I never learned.

Sirens, red lights,
dark outside,
Aunt Mae crying.
The hospital cold, noisy.
Mae on the phone.
Mommy coming on the train.

You lived.
Came home.
Peeled me a pomegranate.

Mom and I left on the train.
The last time I saw you, Uncle Pete,
though you did not die until three months
after my high school graduation,
an obituary found on the internet tells me so.
But the bushels, the visits, the phone calls
stopped the summer I turned six.
I never knew why.
I will never know now.


Fifty-nine years after that summer with you,
I stand holding a handful of pomegranate seeds,
shining their ruby glow.
Decades since last I split open a pomegranate.
Too easy to buy in plastic tubs now.
I need to finish this salad.

But I am stilled in the moment—
The truth I now know—
sleuthing through scraps of internet information
after a DNA test--
What neither of us may have known that one summer,
We were/ are father and daughter.

And these seeds I hold---
They are not enough.

Accidental (Anastasia Part I)

(I originally wrote this several years ago, and it was published in my book, “The Gift of Mercy.” I’m drafting a second part to this piece and decided to reblog this as a starter.)

I entered life, an accidental tourist.

My mother’s body served an eviction notice,

but I ignored it and burrowed deeper

into placental warmth.

My twin, however, weaker,

entered the world a clotted, bloody,

gelatinous mess on the white tile

of a bathroom floor.

The doctor told the man,

who wasn’t really my father

but thought himself to be,

there was still a heartbeat,

still a baby left.

I felt the absence of my twin,

the lack of another’s heart

beating a rhythm to match my own,

racing toward emergence, light, life, breath.

A ghost like memory I carried with me

always— even when I, who survived

by claiming squatter’s right

to my mother’s uterus

as it tried to evict me

and who had never been told

of my twin’s existence, would

turn in childhood play and talk

to my twin sister.

My mother asking to whom I talked

and I answering in innocence—my twin sister.

Now, I recognize my mother’s twisting face

of guilt as she turned from my childhood answer:

the long walk from the restaurant’s apartment

to the stores on Broadway to buy school

supplies; the washing down of the restaurant

walls over and over again; the bed rest the doctor

said she needed when she was spotting, her body

threatening to throw out the babies she carried, ignored—

my twin and I, the children of another man,

we had to go.

But I clung, held on—born

the accidental tourist in life,

observing for my twin,

the twin I still feel.

sixty-one years later,

still listening for a heartbeat

in the same rhythm as my own.

The Words Rebel

I had an argument with all my words today. 

For they would not stay
in their delightfully organized spots.
Seems, if you will,
they wanted to jump around and play,
ignoring the sense of my color coded dots.

I must admit I lost my patience, yelling,
“We will never accomplish
anything useful if you play
In this most rambunctious way.”

To this, they in unison whined,
“Why must we be serious all the damn time?”

And to that, I could not provide argument.
Thus, we decided to play
And took a vacation today.

The Chase of Words

Image courtesy of Windows Report

VJ’s Weekly Challenge: The Chase – One Woman’s Quest II


 

The words—

It is the always—the words—

I have always been

Searching the sidewalks, paths, trails, highways, the sky outside

     For the words—

Combing gently through those I love

     For the words—

Hunting the faces of strangers, my own face, my dogs, my friends

     For the words—

Scouring the hearts, the souls of those I observe

     For the words—

Ransacking restful, peace giving nature

     For the words—

Scourging even, in the chase, my faith

     For the words—

And they are never perfect.

The Words

I
Words scattered across the page.
Words littering the soul.

All these words
Piled upon the table,
A hoarder’s table of words.

Words left unsaid,
Unwritten,
A bouquet of words
Wilting in the heart and mind.

Words twisted in contortionist meaning
Of manipulations,
Weaponized for destruction,
Yet leaving victims living.
II
Words of things that can’t be said.
Words of things that should have been.
Words of things we could not speak out of fears too deep.
Words of things we could not begin to understand
Of ourselves, of each other.
Words of things we wanted so to believe
Of others, of the world.
Words of hope
Of love
Of charity
Of peace.
Words of what we have lost.
Words of what we may never again find.
III
Words, words, words
Slipping through the fingers
Like water in a desert,
Dripping away, evaporating
Before they can be used.

Words, words, words
Twisting round the wrists,
Writhing up the arms,
Biting the face and neck,
Killing before they can be used.

Words, words, words
Left unread by faded ink,
Left unwritten by a tired mind,
Left unsaid by a fear filled mouth.